Alexander McQueen: A Deep Dive into the Icon of British Fashion
Posted by DAMIAN WEBB
Alexander McQueen: A Deep Dive into the Icon of British Fashion
Alexander McQueen, often referred to as the ‘enfant terrible’ of British fashion, was more than a designer; he was a visionary whose creations transformed the landscape of the industry. Known for his dark romanticism, theatrical runway shows, and ability to fuse art with fashion, McQueen left a lasting legacy that continues to influence both high fashion and streetwear long after his untimely death in 2010. This deep dive explores the life, work, and legacy of one of Britain’s most celebrated fashion designers.
Early Life: From East End to Savile Row
Born Lee Alexander McQueen on 17th March 1969, in Lewisham, South London, McQueen’s journey into fashion was unexpected. He grew up in a working-class family, the youngest of six children. His father was a taxi driver, and his mother, Joyce, was a social science teacher. Despite his humble beginnings, McQueen exhibited a love for fashion early on, creating dresses for his sisters at the age of 10.
McQueen left school at 16, landing an apprenticeship on Savile Row, the heart of British bespoke tailoring. It was here, at renowned tailors Anderson & Sheppard and Gieves & Hawkes, that McQueen honed his craftsmanship. His time on Savile Row was instrumental in shaping his technical precision, a skill that would later become a hallmark of his work. His ability to construct impeccably tailored garments was matched only by his penchant for pushing boundaries and subverting tradition.
A Star is Born: Central Saint Martins
In 1990, McQueen applied to the prestigious Central Saint Martins College of Art and Design. Though he initially sought a role as a pattern cutter tutor, his portfolio impressed the head of the MA Fashion course, Louise Wilson, who urged him to enrol as a student. McQueen’s graduate collection in 1992, which was famously bought in its entirety by the influential stylist Isabella Blow, marked his official entry into the fashion world.
The collection, titled Jack the Ripper Stalks His Victims, introduced many of the themes McQueen would continue to explore throughout his career, such as violence, death, and the macabre. Blow, who became McQueen’s close friend and muse, championed his work from the outset, helping to establish his name within the fashion industry.
Pushing Boundaries: The Provocateur Designer
From the start, McQueen’s designs were provocative and confrontational. He gained notoriety for his audacious shows that blurred the line between fashion and performance art. His 1995 collection, Highland Rape, was both a shocking and defining moment in his career. Featuring torn and bloodstained garments, the show sparked outrage and accusations of misogyny. However, McQueen defended the collection, explaining that it was about the historical ravaging of Scotland by England, not violence against women. His ability to blend personal and historical narratives into his work became one of his trademarks.
McQueen’s next collections continued to court controversy and acclaim. His 1999 show, which featured a model being spray-painted by robotic arms while wearing a white dress, was a masterclass in fusing technology and fashion. In 2001, McQueen presented his Voss collection in a mirrored box, forcing the audience to confront their own reflections before witnessing models in deconstructed dresses and face coverings, challenging traditional notions of beauty.
Artistic Genius or Fashion Rebel?
Alexander McQueen’s brilliance lay in his ability to intertwine beauty and horror. His runway shows often felt like a spectacle, with models transformed into otherworldly creatures, evoking a sense of unease and fascination. His collections drew inspiration from history, mythology, and nature, merging classical references with modern materials and techniques.
Despite the dark and sometimes disturbing themes, McQueen's designs were undeniably beautiful. He was a master of cut and tailoring, a skill developed during his years on Savile Row, and he knew how to manipulate fabric to create movement and drama. Whether it was a tailored jacket or an elaborate evening gown, McQueen's garments were always impeccably crafted.
His fascination with the macabre was balanced by an appreciation for the natural world. His Plato’s Atlantis collection (Spring/Summer 2010), inspired by Charles Darwin’s On the Origin of Species, featured models wearing futuristic dresses adorned with reptilian prints, structured silhouettes, and strikingly innovative armadillo boots. It was in this collection that McQueen foreshadowed the fusion of humanity with technology, while offering an apocalyptic vision of the earth’s future.
The McQueen Woman
At the core of McQueen’s work was his vision of the ‘McQueen woman’—strong, fierce, and unapologetic. His designs, though romantic and at times fragile, often evoked power and resilience. He redefined femininity in fashion, moving away from the soft, passive ideal and instead offering an image of the woman as warrior, survivor, and goddess. This aesthetic resonated deeply with women across the globe, from celebrities to fashion-forward individuals, and it is no surprise that McQueen became a favourite among style icons like Lady Gaga, Björk, and Sarah Jessica Parker.
McQueen at Givenchy
In 1996, McQueen was appointed as the head designer for the French fashion house Givenchy, following in the footsteps of John Galliano. His tenure at Givenchy was marked by mixed reviews. While McQueen himself later admitted that his time there felt creatively stifling, the experience helped him refine his skills and introduced his work to a broader, more global audience.
Despite these challenges, McQueen's creations at Givenchy were often spectacular. His 1998 haute couture collection, for example, featured elements of Victorian elegance combined with his signature edginess, though he always seemed to save his most avant-garde ideas for his own label.
Alexander McQueen: The Brand
After leaving Givenchy in 2001, McQueen focused entirely on building his own brand. With the backing of the Gucci Group (now Kering), McQueen expanded his fashion empire, launching menswear, accessories, and fragrances, while maintaining the integrity of his artistic vision. His designs continued to push the boundaries of what fashion could be, with each collection eagerly anticipated for its daring originality.
McQueen’s legacy as a brand has only grown since his passing. Under the creative direction of Sarah Burton, who worked closely with McQueen during his life, the house of Alexander McQueen continues to thrive, with Burton famously designing the wedding dress for Kate Middleton, now the Princess of Wales, in 2011.
Tragic Demise and Enduring Legacy
Despite his extraordinary success, McQueen struggled with personal demons throughout his life. The death of his mother in February 2010 deeply affected him, and on 11th February 2010, just days before the start of London Fashion Week, McQueen took his own life at the age of 40. His death sent shockwaves through the fashion world, leaving a void that has yet to be filled.
McQueen’s legacy, however, remains stronger than ever. His work continues to inspire new generations of designers, and his influence can be seen in everything from haute couture to streetwear. His eponymous brand remains one of the most respected in the fashion industry, with its unique blend of tradition, craftsmanship, and avant-garde design.
Conclusion
Alexander McQueen was more than just a fashion designer; he was a storyteller, a craftsman, and a provocateur. His ability to challenge societal norms while maintaining a deep respect for the craft of garment-making made him one of the most influential figures in contemporary fashion. From his early days on Savile Row to his boundary-pushing runway shows, McQueen’s work remains a testament to the power of fashion as both an art form and a means of self-expression.
His impact on British fashion is undeniable, but his influence extends far beyond. McQueen’s legacy is one of innovation, daring, and beauty—an eternal reminder that fashion can be as thought-provoking as it is visually stunning.